Hot Bodies In Motion

Do not listen to Hot Bodies in Motion on your shitty little laptop speakers.  Plug in some nice headphones or get your stereo out.  This music deserves a little respect, and so do the four guys making it.

They’re down to earth, they’re ridiculously talented, and when you see them play live you’ll be in the front row trying to high five every member of the fucking band. Yeah.  They’re having that much fun. Playing to a full house at a recent Seattle the band’s building momentum was hard to ignore.  The recent release of their second EP has Hot Bodies sounding tight and ready to bring their soulful sound to the masses.

We caught up with front man Ben Carson at a Seattle coffee shop a few days before the big show to hear his take on the band, business, life, music, and religion.

Words by James Melcer Photos by Jason Tang

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WT: Give us a brief history of the band.

BC:  I guess it all started my senior year of college (2010) with our guitar player Scott, our original bass player Zach, and myself.  Zach was in Nashville pursuing some studio work when he put us in touch with our drummer Tim.  At first we just started writing and playing and not really thinking anything of it, but when Zach moved back from Nashville and said he liked what we were writing we decided to book some gigs.

Scott’s mom filmed our first show on her old school handi-cam, and posted it on YouTube.  Super embarrassing – but it got great local buzz and helped us get a lot of our initial momentum going.

Zach ended up deciding to move on and do his own thing, and we picked up our current bass player, Tyler, who was actually playing with Allen Stone’s band at the time.

We started writing seriously in 2011 and that’s when we released our first EP.  There are maybe some songs on there we’re not so proud of, but with the new material that’s coming out we’re really honing in on our sound and being much more selective.

WT:  So how do you feel about the new album?

BC:  It feels like our first recording really.  The dynamic of the band has really changed with Tyler, and he has brought this kind of R&B vibe that we were really missing.  The formation has taken the best direction it could possibly have gone, and I think we’re really starting to find our sound.

WT:  Tell us a little bit about the creative process you guys go through when you are writing your music.

BC:  This is actually my favorite thing about playing music in this band.  Our drummer Tim will lay down a groove that he thinks sounds awesome and we’ll record him for like 2-3 minutes.  Basically making samples using our drummer’s natural instincts.

Scott will then take that drum beat and respond to it, and I’ll do the same so it becomes this series of responses within the band that gives us a totally organic version of looping  or coming up with hooks.  Using the creative energy in the band rather than a metronome or a canned beat from GarageBand.

WT:  What about the lyrics?

BC:  The lyrics are exclusively written by me.  Sometimes they’re too self effacing I think, but it’s just like an avenue to be honest and work through things that are going on in my head.

A lot of it also deals with the struggle of being raised pretty conservative in a Christian home and comparing that to what I’m seeing in the real world.  Kind of contrasting what I’ve always been told with what I’ve learned to be true in real life.

WT:  So the songs aren’t about love and romance?

BC:  It’s singing about love but not always in the girl / boy way.  Sometimes it’s intentionally obfuscated too.  For example, one of the new songs on our new EP called “Slowly” kind of sounds like someone leaving a lover, but it’s more about dealing with someone with mental illness in my family and this kind of separation that you feel needs to happen between your feelings.

I mean it’s hard because sometimes people you love can hurt you.

WT:  What motivates you when you don’t want to write or practice?

BC:  Honestly the feeling of being unmotivated motivates me – almost like a creative fight or flight instinct.  Any artist out there knows there are days when you just aren’t happy with anything that is coming, and those are the days I just keep writing until something comes out that I am happy with.

WT:  When did you first realize that you were a performer…that you could get up on stage and affect people?

BC:  Honestly I think it really has to go back to my roots growing up in church.  I was really involved in worship and I was always impacted by the affect of music on people in church unlike anywhere else.  I think a lot of my ideas have changed since then, but that’s where I learned the power behind music and how it can affect people no only psychologically but spiritually.

It’s something that exists outside the framework of science or reason.

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WT:  How do you rate yourself as a singer?

 

BC:  That’s a really difficult question.  Just by my vocal ability alone?  I would say 6 out of 10.  I mean I could name 500 – no – 5 male vocalists in Seattle that I admire and look to with more respect right now.

WT:  Wow 6 out of 10.  That’s pretty harsh.  Most people would probably rate you much higher than that.

BC:  For me that’s kind of weird to hear because I was always just a bass player until Scott was like, “Why don’t you grow some balls and sing like a man.”

WT:  Tell us a little more about the other members of the band.  Who’s the most talented?

BC:  The unanimous decision on that one is definitely Scott.  If Tim were here he would say the same thing.  If Scott were here well..he would probably say the same thing too.

(laughter)

WT:  Yeah Scott sounds like a pretty unique guy.  We hear he has his own guitar shop?

BC:  Yeah he literally builds the guitars that we play.  It doesn’t get any more organic than that.  We actually practice in his wood shop.  Where he’s doing his craft, and we’re doing our craft.

It’s this weird full circle thing where creativity just happens like all the time.

WT:  What is it like to have fans?

BC:  It’s surprising.  Not like I don’t think our music is good, but that people care.  It’s so hard to fathom.  There’s just so much noise in everybody’s face with social media, Facebook, Twitter, everything.

To just get 30 seconds of somebody’s time and have them be like, “OK I’ll pay attention to that,” feels like a gift.

WT:  You guys play pretty pure rock music.  How do you feel about the electronic scene that is blowing up across the US right now?

BC:  It’s hard, because I personally really enjoy a lot of the electronic stuff.  I’m really into a lot of the chillwave stuff.  Washed Out.  Little Dragon.  But I don’t feel like it’s necessarily timeless.

For me there’s a raw energy and power that comes from 4 guys making music together on stage with no pre-recorded tracks and no loops.  I feel like there’s going to be a lot more of a demand for something like that.  Something that feels honest and something that feels real.

We really like to take risks with our live shows and the fact that something could go wrong makes it that much more real.  If someone is pressing a button on a laptop there’s just nothing that’s going to go wrong.

Everything we play is about that organic vibe, and you can only get that with everybody on their instruments crafting together.  You miss some of that human element with the electronic stuff.

WT:  You guys shared the stage with Macklemore a few years back.  How do you feel about his recent success?

BC:  That guy deserves it more than anybody I know.  I mean just like turning down labels and refusing to compromise artistically or creatively.  I love his album, and I think creatively he’s a genius, but that creativity extends beyond the music into the way he markets his product.

That’s a huge piece of it.  From a business standpoint I respect the hell out of that guy.  He’s built a dynasty around his name.  He’s even got his own clothing label, and it’s all just Macklemore.

WT:  Tell us more about the business side of the music industry right now.  What’s it like to be launching a band in 2013?

BC:  It’s terrifying.  Previously if labels didn’t sign it and it wasn’t on the radio people didn’t hear it.  Now that barrier of entry is going away which is good because you don’t have to win the approval and kiss a lot of ass to get to this level, but it’s a bad because now you’re competing against anyone who has a laptop.

Musicians are just being forced to be more versatile, and it just comes down to survival of the fittest.  How long you can keep grinding it out.

WT:  What are you listening to right now, and how are you listening to it?

BC:  Oh man.  I’ve been listening to a lot of Stevie Wonder and Michael Jackson lately.

Also a lot of Lord Huron which is obviously one of the best albums of 2012.  I would have to say the same about Frank Ocean’s new album.

As far as how I’m listening to music I guess I have to admit I am a huge fan of Spotify.  I am actually a premium subscriber.  I pay $10 a month – and I’m not sure how I feel about that.

I do also invest in vinyl.  I love listening to good vinyl.  My girlfriend just got me D’Angelo Voodoo on vinyl.  Wow.  I’ve been listening to a lot of that lately too.

WT:  So a combination of vinyl and digital streaming?

BC:  Yeah – I think that’s where we’re going to see the growth as far as how people are consuming music.  I want to choose what I want to invest in, but I also want to have access to everything else at the same time.

WT:  Ok this is serious.  2Pac or Biggie?

BC:  Biggie for sure.  Holy cow.  Are you kidding me?  His flow is just – I mean I learned the stank face from listening to Biggie!!

WT:  How did you first hear about Witness This?

I remember exactly what it was.  You guys had some crazy photo of the guy from Breaking Bad posted and I clicked over to it.  It’s actually one of the only blogs that I  follow because I don’t want my feed being clogged with garbage, but you guys always post cool stuff.

WT:  Thanks man that’s awesome to hear.  Can you wrap up by giving us a shameless plug for the band?  Where can people find your music and connect with you guys?

BC:  You can find both our albums on iTunes, Spotify, and Amazon (also on Soundcloud).  To find out what’s happening with the band and connect with us we’re definitely most active on Facebook and Instagram.  We’ve got lots happening in the next few months so stay tuned!

 

 

 


Witness: Mkaio

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If you didn’t know, we are on the cusp of a new astrological period called The Age of Aquarius. According to the sages, it takes approx 2,150 yrs to move from one age into another, meaning we happen to be alive during a very rare moment in time. We are moving away from the Age of Pisces (aka an age of monotheism and spirituality) where Christianity, Islam and Buddhism were born and Faith ruled all things. The Age of Aquarius is supposed to be a period of amazing technological advances, direct our full attention towards humanitarianism and be the start of a new collective spiritual awakening. Why do I bring all of this up? Mkaio (aka Matthew Kammerer) sent over his debut electro-ambient chillwave album “A Far Off Horizon” last week and it dawned on me that it fit perfectly into this new season.

The album was recorded on his Sony Acid in his bedroom, reminding us that advancements in technology are helping musicians who may not have had the chance to succeed back in the day do just that. As for the humanitarianism and collective spiritual awakening, you can hear it woven into the music itself. The album seems to be vibrating on a different level and although it might not be for everyone, I’m glad it made it’s way into my ears. Think Sigur Ros meets M83 meets Washed Out meets Ulrich Schnauss. There’s a blissful hopefulness to the album, a feeling that we’re all connected, that it’s all going to work out in the end. My mind wandered to things like my family and friendships, the after-life, the awesomeness of our planet. It made me want to be out in nature, lay on the beach with sunshine kissing my face, scrunch my toes in the sand, watch people hug in slow motion. You get the idea. It’s hard to explain but I feel like his music may help us ease into this new period of enlightenment.

Check out my interview with Mkaio below:

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LC: Where or in what environment do you want people to listen to this album?

MKAIO: I did not have an expensive studio or money for a fancy mix and mastering process. So the record was written, recorded and produced on headphones. I think a quality pair of headphones, a sunset and a warm breeze is the best place to listen to the record.

LC: What your favorite songs are on this album and why?

MKAIO: My favorite songs on the album are the last three tracks, which make up the Suite For Jen. Those three tracks were written for and dedicated to my best friend, Jennifer Perkins, who we lost way too early in 2010 to an aggressive and rare form of Neuroendocrine cancer. Those tracks contain the first music I began writing for this record and are the heart of the album. “Sunsets” started out as this minor key song about how much I miss my friend. But I scrapped that as I was walking in a park and the sun was setting on a warm June day, and I thought how much Jen would’ve loved that sunset. That day. The breeze through the park or the sound of wind in those trees. So right there I started writing that song. I decided to write ‘Sunsets’ as a song which admits that there is loss and pain, but with a gratitude and celebration that we even had those days together. And while her sun has set, the memory and love that she shared shines on in me, her family and friends, as it does with all humanity as we all live and lose throughout our life. It’s an enormous concept to grasp, this idea that we are all universally linked through a shared connection of memory and emotion. And that universality is what led to the ‘Adagio For Jen,’ a calming, weaving, waving ambient audio aloha to her sun’s set and rise of the starry sky into night.

LC: The interactive portion of your website is really sick and I truly believe you when you say ‘music is ours.’ I think some people might disagree with your sentiment, but why do you believe it is so?

MKAIO: Music is ours. It’s collective. It’s a shared experience. The minute that sound vibrations move air and bounce off walls, ears, trees, whatever it may be – the music is communal. And not only that, but the community makes music. Whether you are a composer or a performer or an audience member, we are all a part of the musical experience. We all decide what we spend our time and effort listening to. And I truly believe that music should be a shared experience. We should all be able to listen, create, share, and perform together. I am experimenting with that concept in the “Create” section on my website, and I have some ideas how to take that to another level on my next few record projects I am working on.

LC: With whom would you love to collaborate?

MKAIO: My dream collaboration list is too long, so I have narrowed it down to a top three: Grace Jones, Alanis Morissette, and a new 18 year-old artist blowing up out of France right now, Madeon.

LC:
I dig the Bob Marley cover….if you could have anyone cover you, who would it be?

MKAIO: I would love Iron & Wine, Bon Iver or Jose Gonzalez to cover one of my songs. My album was all produced on a computer, so I would love to hear what it would sound like as a minimalist piece, maybe just guitar, vocals and some sonic textures. Those guys are amazing at crafting brilliant pieces with minimal instrumentation, I would just love to hear it.

LC: Do you have an end goal for all of this (i.e. headline a festi, make oodles of money, have a top 10 song on some accredited site, etc) or just taking things as they come?

MKAIO: I really don’t have an end goal. I guess I would like to be successful enough to be able to spend all of my time making art. I don’t really care to be filthy rich, I would like people who like this music to know my name but don’t really care for fame. And I don’t care about charts, awards, anything like that. I would just like to sell enough records to be able to focus on it full-time. I think that’d be the best goal.

LC: What’s on tap for you this year? Are we going to see you perform live? What would that look like?

MKAIO: This year, I am doing the underground promotion for “A Far Off Horizon”. I would love to get a street team going to get the record in more ears. I am working on how I could possibly perform this show live, and would probably collaborate with another artist or two to put together a live set. I am also working on a follow up record. “A Far Off Horizon” was written for Jen and is a sound of summer. The next record is going to sound more like winter, and I can’t wait to share that with everyone as well.

LC: What do you want people to know about you and/or your music?

MKAIO: I guess I mainly would want people to know that my music is out there. And you can get yours out there too! I made my record on no money, with a $70 software I bought at Best Buy, on top of a full-time job, and did everything myself, and it took several, several years to complete. But with today’s technology, anyone can make a record. That is really amazing, but also makes it that much harder to get out there and discovered. So I encourage everyone to make their own music, do their own thing, and listen to anything and everything since it will lead you to discover new bands and sounds and songs you never would have found otherwise!

LC: Final thoughts to leave us with?

MKAIO: Although the record is dedicated to Jen, while I was writing it I went through a lot, which can be heard on the record. I was learning who I really was in my late 20s, figuring out how I fit in this world. I had a ‘crisis of faith’ which took me out of the Mormon faith I was raised in, and allowed me free thinking, free feeling, and opened a whole new world to me. I later came out of the closet, and saw a completely different world there too. I went through some heartbreak along the way, and then a year ago met my amazing partner who basically became my muse for that half of the record. I had a lot more angry music written, but when I met Thomas, it all became a positive, and that also greatly helped shape the record.

SOUNDCLOUD

for more info on Mkaio:
www.facebook.com/MkaioMusic
www.mkaio.com

-Lindsay Colip


Witness: Toro Y Moi

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It’s a win-win kind of day here at Witness-This. If you’ve never heard of Toro Y Moi until this moment, you’re in for a huge treat. On the other hand, if you are already savvy to Chaz Bundick’s sound, your treat is even tastier. He’s about to drop his third studio album on Carpark Records called Anything In Return, Jan 22. We’ve been streaming it nonstop since Monday and are happy to announce, it’s excellent.

Even though we were expecting more of the same eclectic chillwave bedroom synthpop gems that were found on 2010’s Causers of This and 2011’s Underneath The Pine, this album takes us on a completely different journey. All three albums are fantastic and worth a listen but AIR may end up coming out on top. A few listens in, the first thought is that the overall sound is waaaay sexier. It’s more seductive, more lounge. Bundick mentioned in an interview that he set out to make “music my girlfriend would dance to” and we think he nailed it. Of course we’re talking about the saunter across your living room sort of dance, not a fist pumping sweat drip dance. There is also a welcome new found funkiness, perhaps due in part to his move to the West Coast this past year from South Carolina. Overall, we dig.

He laughs, “I just wanted to make a pop album and see what happened,” but it’s way more complex than just ‘pop.’ It’s almost as if Jamiroquai, Wild Nothing and The Weeknd had a love child and pals Neon Indian and Hot Chip came over to babysit. It’s silky and yet eccentric. Try “Say That” and “So Many Details” for your appetizer and when you’re feeling comfortable, sink your teeth into “Harm in Charge” and “Rose Quartz.” Bundick and his live band are touring all over the planet for the next few months so make sure to check them out if you can. We think this might just be his year.

Stream full album here

Check out Pitchfork’s video interview about the new album:

-Lindsay Colip


N U

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We present to you NU, another Berlin based musical nomad who has pulled music from his travels as well as written, produced, and mixed his own music into a hypnotizing blend of deep, funky, melodic house. SOL, which we are featuring today is an over three hour set that takes us around the world through tribal arrangements, modern electronic blends, and throbbing soundscapes all blended beautifully together. Perfect for a slow starting Monday, this set will take you unobtrusively through the morning, right to lunch. It begins scattered with slow building beats flavored with the sounds of foreign voices, children singing, and eventually takes off around the world as we almost seem to follow NU’s travels.

soundcloud.com/n-u

Download SOL for free below from his soundcloud:


Freshair December Mixtape: The End of a Freshera

Today we are featuring the follow up to the two part series from Freshair.

Continued from Part 1:

Here is the completion of the auditory photographic work for myself for one year of my life. The first a compilation of individual tracks that I fell in love with over the year, the second a mixtape of some of my favorite tracks of 2012 blended together and released later this week. So, listen UP if it moves you and witness my 2012. If you dig, follow me to where it is always Fresh & Sunny, because that is where I’ll be going in 2013…

Stream the mix below from Mixtape or visit the mixtape directly here.

Freshair December Mixtape: The End of a Freshera by Fresh + Sunny on Mixcloud

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