sound

Solar Witcher + Anton Govorin

Waking up early gray morning to palm trees caught in a serious wind storm I felt this fitting for a gray Music Monday. Solar Witcher is simple yet allows for complexity in the feeling it elicits upon being played. In a very abstract sense, I picture a music box that starts alone sitting on a window sill, then slowly it starts to spin and lift off of the sill, as it spins, colors and streams of light start to spin off of it.

Based out of Moscow, it was hard to find out much about this project except for Anton Govorin seems to do it all himself. Check out some very interesting mash-ups that fit well to the borrowed visuals. The first video for Touching Water is extremely beautiful and uses clips from Jordan Scott’s movie Cracks.

You can also hear more on Anton Govorin’s Soundcloud Page or you can download some of the tracks for free below. He also has a ton of amazing compositions that are perfect for a slow starting Monday, or a late evening of creativity.

Thank you again sincerely to our friends at Pony Dance Clyde from Berlin for their constant musical inspiration and for turning us on to this music. If you haven’t checked out Fanni, Linde, Jannica, and Julia’s site, head over right now to Pony Dance Clyde: ponydanceclyde.com


Genius: FM Attack

words by Lindsay Colip / photos by Dersu Rhodes

 

 

“I am so sick of my own music” says FM Attack (aka Shawn Ward) as he flashes me a grin and takes a swig of a Lagunitas Lager at our favorite local hang out, Venice Ale House. He’s in town to play his first DJ set in the States and we are the lucky beneficiaries of his company for the weekend. I have to laugh when he says this because it’s the last thing I expect to hear from a musician, especially someone of his caliber. What kind of artist would be sick of their own music, I mused? Don’t they appreciate and love their songs as much as we do? Perhaps most, not Ward. After spending the weekend shopping for vinyl, showing him around Los Angeles and dancing to his eclectic DJ set, this statement made so much more sense.

Would you tell Frank Gehry to keep things simple? Or George Lucas that his films could only contain humans? Borrrrrring. Ward is no different. It’s not that he dislikes what he’s created, but it’s more that he has so many interests and ideas, so much creativity brewing inside of him, that he would go absolutely nuts if he didn’t shake things up. That bit combined with the fact that he’s completely humble about his genius. Loving his songs would be out of character for this unbelievably modest guy. All of us at witness-this who were around over the weekend felt that he was honestly one of the nicest, most intelligent, interesting, down to earth people (not just musicians but people) we’ve ever met. Not that we were expecting a ego maniac to show up, but his music is so badassly good that we half expected SOME pomp and circumstance. Instead, he was refreshingly unassuming and up for anything. He even gladly hopped into the middle back seat of my beat up car to drive around Los Angeles all day with us. This, I can’t say about a lot of musicians I’ve interviewed.

After sitting in traffic for what seemed like 3 weeks, we stopped for a much needed burger and tasty beer at Stout. Here we were able to ask the questions that every journalist secretly wants to ask of an admired artist but never feels at ease to do so. I had to find out his favorite song that he’s written, which ended up being Sleepless Nights. Very similar to how The New Division wrote Memento in one sitting, Ward says of his favorite song, “Sleepless Nights came together in one sleepless night.” Maybe there is something about creating a song in one sitting, almost like having the perfect game (enter whatever sport here) where everything is connecting and in perfect flow. Because he didn’t mention my favorite track, Dreamer, I had to inquire about it. Interestingly enough, Dreamer was directly influenced by Flock of Seagull’s Space Age Love Song. He went to say that he’s “definitely inspired by a lot of synth pop and disco….also the vintage gear/synths are totally inspiring to use as tools to get that special sound.” Special indeed. Another interesting fact we picked up at lunch, Ward does the majority of the vocals for the album.

WHAT?

We could hardly believe it, seeing how most of vocals sound like they’re being done by 45 different people. Impressive.

His love of music started young. When we asked about his early influences he spoke nostalgically of how his parents soundtracked his childhood. “My mom used to buy a lot of new wave records from A&B Sound in Vancouver back in the mid 80s so I grew up with Yazoo, Alphaville, Pet Shop Boys and Eurythmics.” When we took him vinyl shopping at Amoeba Records in Hollywood, his influences were definitely still clothing him. He was absolutely giddy when we walked in (apparently they don’t have this kind of mega record store in Matzalan, where he calls home) and he immediately beelined over to the Electronic/Disco/Dance section to pick up Depeche Mode: Strange Love 12 inch single, Kool & The Gang: self-titled album and Heaven 17: The Luxury Gap. He was bummed, however, that he couldn’t find a few rare records, including Amin Peck: Code and B-Movie: Nowhere Girl, but that didn’t wipe the smile off of his face. We ended the afternoon by dropping him off at Guitar Center to have a look around and planned to meet up before he jumped on the decks at La Cita.

Ward is a DJ first and FM Attack second. This was obvious as we watched him masterfully spin track after cool track without ever dipping into his FM Attack bag. “There is nothing like spinning a set with vinyl” he grinned after it was all over. So what’s on tap for this year? Thankfully, a few great things. He’s currently recording a new album and will be touring to support the release this Summer. He will also be treating us to some remixes of Electric Youth and Le Prix. The most exciting bit for us, however, has to be the pending collaboration with FM Attack and The New Division, a partnership that we gladly helped facilitate.

If you’ve never heard FM Attack, now is a great time to get on board. Not only is the music on another level, but you’d be supporting a really great human being. I can’t think of a better combo. Witness-This will be heading down to Matzalan in the near future to catch some shows with Ward and follow him on his musical journey. A journey, no doubt, that will continue to inspire and uplift us. When asked how he would describe his sound, a favorite question of mine to the actual artist as opposed to the journalist covering, he didn’t disappoint in saying “I like to think of it as uplifting and nostalgic but modern with dreamy sounds.” Translated into the ridiculous modern day music slang: uplifting nostalgic modern dreamwave? We like. And for the record, we are NOT sick of your music.

–Lindsay Colip

 

 

To hear more from FM Attack visit our previous feature here and listen to it here:


Witness: Gary Clark Jr

At the Grammys last weekend, Dave Grohl (Foo Fighters) caused quite a stir with his acceptance speech for Best Rock Performance. He passionately reiterated the importance of the “human element” in music, as in “singing into a microphone and learning to play an instrument and learning to do your craft.” He went on to say “It’s not about being perfect, it’s not about sounding absolutely correct, it’s not about what goes on in a computer. It’s about what goes on in here [your heart] and what goes on in here [your head].” Almost as if his words summoned the performance, this emphatic speech came only a few days before Gary Clark Jr. rattled our bones and dropped our jaws at The Sayers Club in Hollywood. Grohl would’ve surely been on his feet after watching Clark’s very human and wickedly masterful performance.

The music gods have been kind. They’ve basically delivered us a multi-generational super group wrapped up into one soul. He has the fingers of Hendrix. The voice of Sam Cooke. The swagger of The Boss. The emotion of Stevie Ray Vaughn. His sound, which is soaked in blues, soul and rock n roll, is such a welcome change of pace in today’s musical landscape. As the electronic/dubstep scene gains more and more momentum, it seems like a lot of music is starting to sound alike. Clark’s style is refreshingly unique and as more people are privy to his music, they will realize they not only love it, but need it. He’s the welcome home cooked meal and good night’s rest after the fear and loathing whirlwind weekend. Not that he’s necessarily cozy, but he definitely makes a soul jump back into a body.

You can’t help but be absolutely enthralled watching him perform. The way in which his fingers run up and down his guitar, it’s almost incomprehensible. With so much lightning coming from his fingertips, you’d think he might be lacking in the vocal department. Not so. Clark sings quite beautifully and with an impressive vocal range (including falsetto) as well. His stage presence is also something of note. You definitely feel like you’re in the company of someone special. Not because he’s an insane guitar player, which he is, but because of the WAY he plays, as if channeling from a higher source.

As for what’s on tap, this should prove to be a huge year for him. He’s already played alongside some legends, including Eric Clapton, Sheryl Crow and Jeff Beck, and now he’s ready to rock on his own. Besides releasing his first full length this year (so far it’s just been an EP, The Bright Lights), he’s playing basically every festival of note, including SXSW, Coachella, Sasquatch and Bonaroo. He’s also playing at The White House on Feb 21st at the “Red, White and Blues” event alongside Mick Jagger and B.B. King.

When he sings, “You’re gonna know my name by the end of the night,” he means it. Based on the body language in the room last night, he’s going to be someone people are talking about a lot this year. As of this moment, his performance (technically and emotionally) was the best I’ve seen in my life. I was blown away. If you find yourself at any festivals this year, do yourself a favor and go check him out. Or if you’re lucky enough to see him in a smaller venue, jump on the chance. My advice, get as close to the stage as possible. Support greatness and buy his EP.

-lindsay colip

Download Gary Clark Junior’s song Bright Lights for free here.

click to see more posts by lindsay colip...

Lindsay has written for various music sites, including SPINearth and Jambase, traveled the world covering music festivals, was a SPINearth video correspondent for ‘i am with the fans’ music tour and alongside photographer Steven ‘Walt’ Walter, produced, directed and edited ‘Live and Local’ acoustic performances for SPINearth.


Freshair’s February Mix

Taking inspiration from the c90s out of London and Tropicool out of Los Angeles, this freshair mix might be just what the doctor ordered. Where the January NYE 2012 Palm Springs Mix kept your soiree rocking until the wee hours of the morning, this mix is a perfect hors d’oeuvres to the party. These grooves are just that…groovy. Not exactly meant in the way we would have said it in the 1960s, but meant more as in a funky vibe. A feeling of cool without really trying or knowing why. Imagine yourself in a chic loft overlooking the city of your choice, a tasty beverage in hand, the best of friends surrounding you. It’s certain to be an epic night. Let this bad boy be your guide into goodness. Listen UP and Witness THIS.

listen and download it here:

Track list:

Take Care Of You Cherokee Take Care Of You
Mercy Edit Murphy
Groove With You Fantastic Man
Be Loved (Daniel Avery’s ‘Divided Love’ Remix) Headman Be Loved
Yes, I Know Daphni Vacay vitamins
Parfait Tirage Paradis Parfait Tirage  La Ballade de Jim – Single
Everything Goes My Way (Ewan Pearson Disco Version) Metronomy Everything Goes My Way
Sail Away (Aeroplane Remix) The Rapture

check out freshair’s past mixes here:

January


Coming Home (The New Division Remix)

This Music Monday we are featuring a never before heard remix of the song Coming Home by 2 Hearts and Chemicals. The track is remixed by one of our favorite bands, The New Division whom we’ve featured a few times before.

click on download from soundcloud to get the song straight to your itunes.

2 Hearts and Chemicals is a band comprised of musicians Eli Lhymn & Stephen Biebel, based out of Los Angeles and New York City. The duo originally hail from Pennsylvania, and met in grade school when they were just 13 years old.

Influenced by the works of Brian Eno, M83, Harold Budd, and Ulrich Schnauss, as well Bowie, Bolan and Slowdive, the duo produce heavenly electronic tunes in a lush and bliss filled pop haze.

The band’s debut EP – “Coming Home” was released Fall 2011 to great reception and critical acclaim. The band is currently in the studio with Tom Rogers (Atomix Studios) working on their sophomore release, to be released in 2012.

And now about The New Division, bio by Lindsay Colip

Spearheaded by John Kunkel (vox/producer) and amplified by Micheal ‘Janzie’ Janz
(sequencing/synths), Mark Michalski (synths) and Brock Woolsey (guitar), The New Division
is an LA based tour de force. Influenced by Joy Division, New Order and Depeche Mode, they
have taken the tastiest slices of these bands and infused some new life into them. Not stuck
under the weight and spell of the greats that came before them, but perfectly inspired, these
guys have done what most bands can’t do. They’ve remained faithful to their influence without
being a copycat. Their sound feels comfortably connected to the past but with a momentum that
fastens them to the future. The core stays true to electronic dance music while supporting thick
branches of 80’s synth, italo disco and brooding chill wave. Kunkel adds tugging lyrics to the
tracks, bringing satisfying emotion to the party.

Kunkel and his mates are constantly writing music. On any given day, they’ll have multiple
songs going at once, expanding and editing whenever it feels right. In early 2011, they felt they
had 6 songs right and put out the highly acclaimed EP, The Rookie. It wasn’t long after that they
felt they had enough material for a full length, and in late 2011, they released Shadows. This
album is generating a huge buzz. As more people put their ears to it, Shadows continues to
climb up charts all across the US as well as internationally. Several music publications named
the LP a top album of 2011 and as the new year unfolds, the masses are catching on.

The New Division are embracing today’s musical landscape by being multifaceted.
Understanding the relevance of collaboration, they continue to drop remixes of their favorite
artist’s tracks and in return, encourage others to remix their own music. They have also started
a label, Division 87 Records, which scouts both in the States as well as overseas for new talent.
Several members also have side projects going (Gala, John Glenn). If you’re lucky enough to be
in the Los Angeles area, you can hear the guys live before they inevitably head across the pond
to appease their international fans.

No plans of slowing down, they are striking while the iron is hot. A new EP is due out in late
Spring, more live shows are being announced and a festival in their future looks probable.
If they continue at this pace, which seems likely based on the amount of started songs on
Kunkel’s computer, it will be a very ear pleasing year. They’ve also decided to take a more
collaborative songwriting approach on this new EP, which will only enhance and deepen their
already solid sound. In sum, The New Division will make you want to get into your car on a dark,
rainy night and take a drive though a glittering downtown. Into your soul they will instill a deep
longing for the introspective 80’s, when emotions were pinned to your jacket and one glance
from the girl gutted you. And above all, they will encourage you to honor your inner demons and
in the same breath, remind you to roll down your window so you can blow them out with one
long exhale.

follow The New Division on Facebook here.
follow 2 Hearts and Chemicals on Facebook here.


78 + Sunny / Winter Mix

The winter time is for chilling. Here in California we don’t do enough of it. Our weather is so killer the natural slowdown of the winter never truly reaches us. This mix was inspired by the thought of chilling out, slowing down and resting before the fast pace of the summer is upon us once again. Great to listen to by a fire or watching a sunset from the warmth of a ski cabin. It pulls from artist new and old and from many different genres, all with common mellow vibe. I hope you like it………

78 and Sunny
Enjoy the weather

More from 78 + Sunny here:

DIRTY 30 MIX VOL1. BY FRESH & SUNNY

BURNING MAN: RIGHT OF PASSAGE MIX